How to use it
- Choose metres or feet and enter the inside length, width and height of the room.
- Set how high to list modes; 200 to 300 Hz covers the range where single modes are heard.
- Read the axial modes first: they are the loudest. Each value is followed by its indices p-q-r.
- Look for modes that land on the same frequency and for wide gaps between them.
How it works
Rayleigh’s equation for a rectangular room:
f = c ÷ 2 × √((p ÷ L)² + (q ÷ W)² + (r ÷ H)²)
c = 343 m/s (air at about 20 °C); feet are turned into metres first. Every combination of whole numbers p, q, r that gives a frequency up to your limit is listed. One non-zero index makes an axial mode, two a tangential one and three an oblique one. Each list shows up to 40 values.
Worked example
A room 5 × 4 × 2.7 m, modes up to 200 Hz:
- axial along the length: 343 ÷ (2 × 5) = 34.3 Hz (1-0-0), then 68.6, 102.9 Hz …;
- along the width: 343 ÷ 8 = 42.9 Hz (0-1-0); floor to ceiling: 343 ÷ 5.4 = 63.5 Hz (0-0-1);
- the first tangential mode (1-1-0): 171.5 × √(1/25 + 1/16) = 54.9 Hz; the first oblique (1-1-1) is 84 Hz;
- 12 + 34 + 25 = 71 modes in all, and the ratio is 1 : 1.48 : 1.85.
The 4th width mode and the 5th length mode both fall on 171.5 Hz, because 4 × 5 = 5 × 4: a coincidence worth treating.
Tips
- Bass traps work best in corners, where every mode has a pressure maximum.
- Moving the listening position away from the middle of the room avoids sitting in the null of the first axial modes.
- Room modes and reverberation are related: check the decay time with the RT60 reverberation calculator.